| Original Title | Dialect | Informant | Genre Form | Genre Content | ID | glossed | Audio |
|---|---|---|---|---|---|---|---|
| anʲsʲəx joɒ̯ aŋkəʃk olsəɣ | pelym mansi (PM) | Ljalkin, Andrei Petrovich | prose (pro) | Tales (tal) | 1264 | glossed | – |
| Text Source | Editor | Collector |
|---|---|---|
| Kannisto, Artturi - Liimola, Matti (1956): Wogulische Volksdichtung gesammelt und übersetzt von Artturi Kannisto, bearbeitet und herausgegeben von Matti Liimola. III. Band. Märchen. In: Mémoires de la Société Finno-Ougrienne, 111. Helsinki: Suomalais-Ugrilainen Seura, 139-148. | Liimola, Matti; Kuzjomkin, Andrei Aleksejevich | Kannisto & Liimola (KL) |
| English Translation | German Translation | Russian Translation | Hungarian Translation |
|---|---|---|---|
| "There was an old man and an old woman" | – | – | – |
| by Riese, Timothy |
| Citation |
|---|
| Kannisto & Liimola 1956: OUDB Pelym Mansi Corpus. Text ID 1264. Ed. by Eichinger, Viktória. http://www.oudb.gwi.uni-muenchen.de/?cit=1264 (Accessed on 2024-11-01) |
| anʲsʲəx joɒ̯ aŋkəʃk olsəɣ (glossed version) |
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| 1 |
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| There was an old man and an old woman. |
| 2 |
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| They have three daughters. |
| 3 |
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| He sends his oldest daughter to check on the weir. |
| 4 |
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| She went there, she saw nothing. |
| 5 |
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| She runs back, on the seashore there's a hut. |
| 6 |
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| Her hands were freezing, she went in to warm up. |
| 7 |
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| When she goes inside, there's a man with skewer-legs and skewer-arms walking around. |
| 8 |
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| The girl starts to leave. |
| 9 |
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| He grabbed a knife and blocked the door. |
| 10 |
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| He won't let the girl out, he says, you marry me, I won't kill you, if you don't marry me, I kill you. |
| 11 |
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| The girl married him. |
| 12 |
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| The old man waited and waited, no daughter. |
| 13 |
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| He says to the middle daughter, go (and see) where your sister has gone. |
| 14 |
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| The girl ran to check on the weir. |
| 15 |
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| She ran there, likewise she saw nothing. |
| 16 |
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| She runs back, her hands are freezing. |
| 17 |
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| Again, the hut caught her eye. |
| 18 |
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| Whoever lives (there), I'm going inside to warm up. |
| 19 |
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| When she goes in her sister is sitting there. |
| 20 |
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| You, she says, what are you doing sitting here? |
| 21 |
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| Her sister said, you won't be leaving, she says. |
| 22 |
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| The girl started to leave, the man grabbed a knife and planted himself in the door, and doesn't let her (leave), he says, if you marry me, I'll let you live, if you won't marry me, I'll kill you. |
| 23 |
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| How can the two of us marry you? |
| 24 |
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| At first she didn't want to, (but) he blocked the door of the hut with a knife and won't let her (out). |
| 25 |
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| The girl married him and the man took two wives. |
| 26 |
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| The old man waited and waited, no second daughter. |
| 27 |
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| He says to his last daughter, go (and see) where your sisters have gone, have they fallen into the water, or have they frozen! |
| 28 |
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| The girl ran to check the weir. |
| 29 |
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| When she got there, there were no sisters. |
| 30 |
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| She runs back, there's a hut standing. |
| 31 |
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| She says, I'll just go inside and warm up. |
| 32 |
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| When she enters, the two sisters are sitting there. |
| 33 |
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| She started to scold the sisters, just what, she says, are you doing sitting here? |
| 34 |
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| Again, the old man blocked the door of the hut with a knife. |
| 35 |
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| The girl tries to leave. |
| 36 |
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| The old man says, where are you going? |
| 37 |
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| If you marry me, I'll let you live, if you won't marry me, then I'll kill you. |
| 38 |
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| The girl berated and berated him, finally she married him, where (should) she go? |
| 39 |
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| The man began to go hunting. |
| 40 |
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| He went up to his eldest wife. |
| 41 |
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| He says, what will you have made by the time I return? |
| 42 |
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| he says. |
| 43 |
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| She says, I'll make you a hundred sazhens of linen. |
| 44 |
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| He went to his middle wife. |
| 45 |
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| You, he says, what will you have made by the time I return? |
| 46 |
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| She says, by the time you return I'll have made you a net one hundred sazhens long. |
| 47 |
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| He came to his last wife. |
| 48 |
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| You, he says, what will you have made by the time I return? |
| 49 |
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| She says, by the time you return I will have borne you a son. |
| 50 |
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| His arms will be silver up to the elbows, his legs will be silver up to the knees, on his forehead there will be a sun, on the back of his neck a moon. |
| 51 |
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| The old man went off hunting. |
| 52 |
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| His oldest wife made a hundred sazhens of linen, his middle wife made a net one hundred sazhens long, his youngest wife bore a son, his arms were silver up to the elbows, its legs were silver up to the knees, his forehead a sun, the back of his neck a moon. |
| 53 |
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| The two (other) women became envious that she had borne a son: she'll start being loved, the two of them won't be, they haven't borne a son. |
| 54 |
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| The woman who had given birth fell asleep, the other two stole the boy and threw him into the sea. |
| 55 |
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| They placed a puppy and a young magpie next to the woman. |
| 56 |
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| So, the old man returned home from the forest. |
| 57 |
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| He went up to his eldest wife. |
| 58 |
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| What, he says, did you make for me? |
| 59 |
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| She brought out a hundred sazhens of linen for her husband. |
| 60 |
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| He went up to his middle wife. |
| 61 |
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| What did you make by the time I returned? |
| 62 |
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| The middle wife brought out a net one hundred sazhens long for her husband. |
| 63 |
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| He went to his last wife. |
| 64 |
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| He says, what did you give birth to for me? |
| 65 |
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| Next to his last wife a puppy and a young magpie are lying. |
| 66 |
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| He grabbed his wife, and broke her arms and legs. |
| 67 |
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| He carried her out and threw her onto the seashore. |
| 68 |
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| The woman started to rub herself with dew water. |
| 69 |
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| She rubbed and rubbed herself, her arms and legs healed. |
| 70 |
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| Together with the puppy she walked along the seashore. |
| 71 |
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| And now to build a small hut! |
| 72 |
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| She built herself a hut to live in. |
| 73 |
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| At some time her puppy goes off somewhere. |
| 74 |
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| She is brought food by her puppy. |
| 75 |
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| At some point her little dog began not to bring food. |
| 76 |
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| How is it that you're bringing me no food? |
| 77 |
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| Its mother says. |
| 78 |
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| The little dog says to her, how is it I'm bringing no food? |
| 79 |
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| I play during the day, a handsome boy arises from the sea and we're busy playing by day. |
| 80 |
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| The mother started to think. |
| 81 |
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| The little dog went, its mother prowled behind silently, hid, sat down. |
| 82 |
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| Suddenly she looks, out of the sea a boy did emerge. |
| 83 |
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| The two of them started playing with one another. |
| 84 |
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| When the woman took notice, (it's) her own son! |
| 85 |
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| The next day the woman made three bark baskets. |
| 86 |
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| She squeezed her breast milk into the bark baskets. |
| 87 |
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| The next morning before her son got up, she placed the bark baskets there at their play spot. |
| 88 |
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| She herself hid nearby. |
| 89 |
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| Suddenly her son emerged to the little dog. |
| 90 |
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| They started playing. |
| 91 |
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| The little dog came to a bark basket. |
| 92 |
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| It enticed the boy, look, I found really sweet milk in a bark basket! |
| 93 |
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| And the boy came over. |
| 94 |
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| The boy dipped (his finger) in once, he says, it almost smells like my mother. |
| 95 |
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| The little dog found another bark basket, it says, here it's even sweeter. |
| 96 |
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| The boy came over, he drinks, oh, he says, it smells like my mother here. |
| 97 |
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| The little dog found a third bark basket farther up the beach. |
| 98 |
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| Look, here is even sweeter milk again. |
| 99 |
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| The two of them sat down to eat. |
| 100 |
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| His mother then crept up silently. |
| 101 |
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| She suddenly caught her son. |
| 102 |
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| She caught him and brought him back home into her meager hut. |
| 103 |
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| The boy says, I'm not your son. |
| 104 |
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| His mother says, you are my son, the one I bore. |
| 105 |
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| If you are not the son I bore, I'll place you there to the back and I'll place myself to the door here. |
| 106 |
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| I'll milk my breasts for you. |
| 107 |
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| If you're the son I bore, it will squirt into your mouth. |
| 108 |
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| When she milked, it squirted into her son's mouth. |
| 109 |
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| Then her son spoke, he says, it's true, I really am your son. |
| 110 |
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| Now I'll build a hut to live in for good. |
| 111 |
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| The boy went to the forest, cut a chip and split it small. |
| 112 |
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| He flung it over his head, he spoke, he says, if I am to become a hero, may a six sazhen house appear from the larch, may a seven sazhen house appear from the fir. |
| 113 |
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| From the larch a six sazhen house appeared, from the fir a seven sazhen house appeared. |
| 114 |
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| He got noticed, the boy. |
| 115 |
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| There used to be just forest, now, they say, who has built such a house village? |
| 116 |
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| A ship is sailing, a merchant. |
| 117 |
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| Well, they say, and what kind of a person is living (here)? Let's put in to shore to see. |
| 118 |
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| When they put in to shore, it is such a man, his forehead is a sun, the back of his neck is a moon, his arms are silver up to the elbows, his legs are silver up to the knees. |
| 119 |
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| Whatever ship comes, they put in to shore to him, whatever goods they're carrying, he buys them all. |
| 120 |
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| The merchants go off and say to the old man, what kind of man so rich has appeared? |
| 121 |
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| The old man says, I'll go and look. |
| 122 |
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| His wife says, what kind of man so very rich is this one? |
| 123 |
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| She says. |
| 124 |
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| On the other side of the sea, now there's a really rich man. |
| 125 |
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| Under his window stands an ox, between the horns of the ox there's a bathing room. |
| 126 |
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(When) people come, they bathe in the bathing room and then go into the house. |
| 127 |
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| When the people had lain down, the boy came out, took a mirror, tossed it from one hand to the other and says, servant, serve! |
| 128 |
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| By the time I get up let a bathing room with its ox arise here. |
| 129 |
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| When he gets up the next morning, a bathing room has appeared under the window. |
| 130 |
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| Again, a ship is sailing. |
| 131 |
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| Again they put in to shore. |
| 132 |
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| They put in to shore, bathed in the bathing room and then entered the house. |
| 133 |
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| Again they left. |
| 134 |
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| They came to the old man again. |
| 135 |
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| Again they say, what kind of a man so rich appeared? |
| 136 |
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| People come, bathe in the bathing room, and then enter the house. |
| 137 |
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| The old man says, I'll go there and look. |
| 138 |
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| The old woman says, what kind of rich man is this? |
| 139 |
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| On the other side of the sea is a rich man, under his window stands a birch tree, when the cuckoo calls, silver rises up to his knee. |
| 140 |
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| This man also desires to acquire a birch tree for himself. |
| 141 |
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| It grew dark and the people lay down to sleep. |
| 142 |
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| He took his mirror, went out, and tossed it from one hand to the other, he says, servants, when I get up in the morning, let there be a birch tree under my window. |
| 143 |
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| When he gets up the next morning: under his window (stands) a birch tree. |
| 144 |
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| Again a ship is sailing on the sea. |
| 145 |
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| They put in to the shore again, under the window (stands) a birch tree, when the cuckoo calls, silver rises knee-high. |
| 146 |
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| Between the horns of the ox (there is) a bathing room. |
| 147 |
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| They bathed in the bathing room and then entered the house. |
| 148 |
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| They went again and came to the old man. |
| 149 |
|
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| So, they say, what kind of a man so rich is there! |
| 150 |
|
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| You come, a birch tree stands under the window, when the cuckoo calls, silver rises knee-high. |
| 151 |
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| Between the horns of the ox there is a bathing room, you bathe, then you enter. |
| 152 |
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| The old man says, I'll go and look what kind of a man so rich has appeared. |
| 153 |
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| The old man went there. |
| 154 |
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| When he comes he can't raise his eyes. |
| 155 |
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| He was taken in by his son and fed, even if his mother became angry. |