| Original Title | Dialect | Informant | Genre Form | Genre Content | ID | glossed | Audio |
|---|---|---|---|---|---|---|---|
| sint jæː oɒ̯i woɒ̯rəm jeːri | middle lozva mansi (LM) | Pershä, Michail Grigorich | poetry/song (poe) | Fate Songs (fas) | 1444 | by Eichinger, Viktoria | – |
| Text Source | Editor | Collector |
|---|---|---|
| Munkácsi, Bernát (1896): Vogul népköltési gyüjtemény. In: IV. kötet. Életképek. Elsö füzet. Vogul szövegek és fordításaik. Budapest: Magyar tudományos akadémia, 87-92. | Munkácsi, Bernát; Kálmán, Béla | Munkácsi, Bernát (MU) |
| English Translation | German Translation | Russian Translation | Hungarian Translation |
|---|---|---|---|
| "Song written by the Sint-River Girl" | – | – | – |
| Citation |
|---|
| Munkácsi, Bernát 1896: OUDB Middle Lozva Mansi Corpus. Text ID 1444. Ed. by Eichinger, Viktória. http://www.oudb.gwi.uni-muenchen.de/?cit=1444 (Accessed on 2024-11-14) |
| sint jæː oɒ̯i woɒ̯rəm jeːri (glossed version) |
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| 1 |
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| Song written by the Sint-River Girl. |
| 2 |
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| I, the young woman, grew up in rain, |
| 3 |
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| I, the young woman, grew up in wind, |
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| [the woman-grown] [shoulder blade] |
| 5 |
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| I, the young woman, grow the woman-grown swelling flesh of a shoulder blade. |
| 6 |
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| Afterwards [from the mouth of the Tumen] |
| 7 |
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| a five legged wooing party from the mouth of the Tumen |
| 8 |
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| comes to the young woman. |
| 9 |
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| For five days and nights |
| 10 |
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| [the five-legged wooing party] |
| 11 |
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| a matchmaker how many spans high |
| 12 |
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| of the five-legged woing party stands as matchmaker? |
| 13 |
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| [on the hundred-marked marking wood] |
| 14 |
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| How shall we count (the goods given) on the hundred-marked marking wood? |
| 15 |
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| Seven beer barrels with seven mouths - |
| 16 |
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| these are placed out. |
| 17 |
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| For five days and nights |
| 18 |
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| the people swig. |
| 19 |
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| By which young man |
| 20 |
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| [by her thin-sinewed forearm] |
| 21 |
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| am I, the young woman, taken by her thin-sinewed forearm? |
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| It was by the famed prince of the mouth of the Tumen, the tender man, |
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| [by her thin-sinewed forearm] |
| 24 |
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| that I, the young woman, was taken by her thin-sinewed forearm. |
| 25 |
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| [in a herd of saddled horses] |
| 26 |
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| I, the young woman, am led in a herd of saddled horses. |
| 27 |
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| [a Russian with notched boots] |
| 28 |
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| [in a six-footed sled carved] |
| 29 |
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| the young woman is set in a six-footed sled carved by a Russian with jointed boots. |
| 30 |
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| I am brought for much or little time, |
| 31 |
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| suddenly [at a place free of trees] |
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| we arrived at a place free of trees. |
| 33 |
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| When I observe correctly, |
| 34 |
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| we have somehow arrived at the nourishing Tumen. |
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| I was taken across the nourishing Tumen. |
| 36 |
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| [to a house and storehouse built at the same time] |
| 37 |
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| I, the young woman, am taken to a house and storehouse built at the same time. |
| 38 |
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| I am brought in, |
| 39 |
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| we live for a long or a short time, |
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| the famed prince of the mouth of the Tumen, |
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| the tender man, darling of my house |
| 42 |
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| takes me to bed in the evening, |
| 43 |
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| [to a knotted club of green wood] |
| 44 |
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| I fall asleep in the evening to a knotted club of green wood, |
| 45 |
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| [to a knotted club of dry wood] |
| 46 |
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| I awake in the morning to a knotted club of dry wood. |
| 47 |
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| [to a bad place like a stall] |
| 48 |
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| I, the young woman, end up in a bad place like a stall, |
| 49 |
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| [to the end of a chuval nook for dry wood] |
| 50 |
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| I, the young woman, end up in the end of a chuval nook for dry wood. |
| 51 |
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| [my soul of a souled woman] |
| 52 |
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| My ten-fingered two hands |
| 53 |
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| will not rise to extinguish my soul of a souled woman. |
| 54 |
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| On this night long as (the flight of) an iron arrow |
| 55 |
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| [a plan to flee] |
| 56 |
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| I, the young woman, take up a plan to flee. |
| 57 |
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| His father - troll, his mother - troll! |
| 58 |
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| I, the young woman, set off. |
| 59 |
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| I go far, |
| 60 |
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| [on a place free of trees] |
| 61 |
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| I, the young woman, gaze on a place free of trees. |
| 62 |
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| [to the shores of the nourishing Tumen] |
| 63 |
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| I, the young woman, came to the shores of the nourishing Tumen. |
| 64 |
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| [the low boat bored by a woodpecker] |
| 65 |
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| [between the two flows of the water] |
| 66 |
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| I let the low boat bored by a woodpecker down between the two flows of the water. |
| 67 |
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| [the bad oar made of strong wood] |
| 68 |
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| I, the young woman, pull the bad oar made of strong wood. |
| 69 |
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| I cross over the nourishing Tumen. |
| 70 |
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| Just like a spring goldeneye dives (into the water), |
| 71 |
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| my oar dives. |
| 72 |
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| [to the middle of the nourishing Tumen] |
| 73 |
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| I, the young woman, come to the middle of the nourishing Tumen. |
| 74 |
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| [arises from somewhere] |
| 75 |
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| A booming thunderstorm |
| 76 |
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| arises from somewhere. |
| 77 |
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| Here is certainly (where I draw) my last breath! |
| 78 |
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| Goddess blanketed with ten birches, |
| 79 |
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| Goddess of the Mouth of the Teːləm! |
| 80 |
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| I directed my woman's thoughts there. |
| 81 |
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| If my last breath |
| 82 |
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| has come, |
| 83 |
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| [like a cliff] |
| 84 |
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| [in the middle of the nourishing Tumen] |
| 85 |
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| sink me in the middle of the nourishing Tumen like a cliff! |
| 86 |
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| When I look properly, |
| 87 |
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| the famed prince of the mouth of the Tumen, |
| 88 |
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| the tender man, darling of my house, |
| 89 |
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| the man is following me, |
| 90 |
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| he, the man, is rowing after me. |
| 91 |
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| [a good oar made of strong wood] |
| 92 |
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| [like a spring pike splashes] |
| 93 |
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| The man's oar, a good oar made of strong wood, beats (on the water) just like a spring pike splashes, |
| 94 |
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| (that's how) the man rows. |
| 95 |
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| His little boat of three crossbars |
| 96 |
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| [like a loon chased by an arrow] |
| 97 |
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| [three lengths of a discharged arrow] |
| 98 |
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| flies forward three lengths of a discharged arrow as fast as a loon chased by an arrow. |
| 99 |
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| My thoughts of escaping |
| 100 |
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| are overturned there. |
| 101 |
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| Afterwards, [on a thin-sinewed forearm] |
| 102 |
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| I fall asleep in the evening on a thin-sinewed forearm, |
| 103 |
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| [on a thin-sinewed forearm] |
| 104 |
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| I wake in the morning on a thin-sinewed forearm. |
| 105 |
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| [with melted fat on my lips] |
| 106 |
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| I, the young woman, fall asleep with melted fat on my lips, |
| 107 |
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| [with frozen fat on my lips] |
| 108 |
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| I, the young woman, wake with frozen fat on my lips. |